Stuffed, pickled tourists and other tidbits from life in our little village.

Life in this little tourist village is a lot like it is everywhere else, as far as I can tell, just slower. On our first night we sat in the main square with a drink, a pizza, and a salad. While I can name a dozen better pizza places in New York between 7th and 8th streets, that was certainly not the point. We were sitting in a Sicilian piazza, drinking beer, watching the sunset, and all was very right with the world.

Our first night in Forza d'Agro.

Our first night in Forza d’Agro.

We watched two little boys who came with the restaurant get jiggy with an electronic dance mat until their mother pried it from one of the wailing little boy’s sorrowful arms. Kids are kids, no? And there are most certainly great charms to living the lifestyle of the Forza d’Agrans. On our two minute commute to the main square through what qualifies as Main Street – a winding alleyway that runs the length of the village – I’ve noticed a very, very old woman who lies in bed looking out at the sea through her door, which has been ajar every time I’ve walked past it. Her skin is color of ash, and my guess is that she won’t be with us for long. All day long someone sits at the foot of her bed – I’m guessing mostly family members, but probably friends as well. I’d bet my last money that she was born in this village. As I said, the door is always ajar and she can look out at the hills and the sea, which I’m sure makes her happy. It would make me happy, that’s for sure. Beats the crap out of an old folks’ home if you ask me.

The grandma who runs one of the two little markets here is unfailingly nice. I think she finds it cute that the man is doing the food shopping. The woman who runs the other market (unlike the guy with the synagogues, I go to both) is even nicer. Today, she packed up an armful of leafy greens and stuck it in my bag. It’s organic, she told me, and she grew it herself in her backyard. I am to boil it in salty water for ten minutes and serve it with lemon and olive oil, and I will.

My second market.

My second market.

Our first proper dinner in town was an entertaining affair. We picked the only restaurant that had any diners in it, more for the ambiance than any effort at crowdsourcing. There’s nothing stranger than being the only diners in a restaurant in a tourist town in low season, so we decided on a place called Osteria Agostiniana, which was a relative hotbed of activity, with four or five tables filled. At this place, you can pick three courses for 35 euros or two courses for 30. Something deep inside us told us to start slow and go for the two courses. Well, two courses my patootey. The first “course” was actually an array of about seven or eight dishes. There were some beautiful oysters and a tuna caponata with an agridolce (or sweet and sour) sauce that was very good. We had marinated shrimp, a salad of arugula with some kind of fish, octopus salad, at least one version of baccala, or dried salted cod, and a bunch of other stuff. It got so bad that the waiter started stacking dishes on top of other dishes like a house of cards. Who eats like this?

The first part of the first course.

The first part of the first course.

We did as well as we could with that course and after the briefest of intervals, part two came barreling in. There was a different kind of baccala, a really goofy “cocktail” of sweet little bay shrimp that had been drowned under about a quart of thousand island dressing. There was calamari, more tuna, fried anchovies, and some very strange croquettes of some kind, among other things. The stars of the course were four gigantic head-on prawns that had been simply grilled.

Then came the entrée, if you can believe it. It was a really nice whole grilled fish served with a lovely peppery olive oil. The astonishing thing is that the couple across from us got the three course menu, which also included a pasta course with enough linguini a la vongole to choke a horse as well as some kind of ravioli and god knows what else. These people are surely dead by now.

For 30 euros, we also got a bottle of wine, dessert (a frozen limoncello slurpee, a basket of cookies and biscotti, some ice creamy tiramisu-ish thingy, and a couple of cannoli, and, inexplicably, peanuts in the shell), and all the after dinner drinks you could guzzle. For that, they just drop a half dozen or so bottles on the table and let you have at it.

Five bottles of hooch, a basket of stuff, a slurpee, cannoli, and other desert. Crazy!

Five bottles of hooch, a basket of stuff, a slurpee, cannoli, and some other dessert. Crazy!

I was quite taken with the amaro, and I now know why the hipsters seem to put it into half the fancy cocktails they whip up in Brooklyn – it’s herbaceous, a little sweet, and goes great with whiskey. When I get home, I’m adding a bottle of this stuff to my collection.

The whole thing was more than insane, and not how we usually eat – it kind of felt like the Sicilian buffet on Circus Circus Cruise Lines, if such a thing existed and let’s hope they don’t get any ideas. I’m surprised more people aren’t medivac’d out of here. The thing is, the place is pretty much always busy. I’d chalk it up to insane gluttonous tourists, but there were a bunch of Italian people in there as well. If you cut through the sheer volume there were enough winners to make you happy. If they’d let us, I’d go back and have the grilled shrimp, the grilled fish, and a plate of linguini with clams. But I can see the headwaiter’s shocked expression now, “You don’t want the Trough of Sicily? Impossible!”

And then we staggered out of the joint into our little ghost town, which was shuttered up tight by the time we escaped our Sicilian Fiesta. Even the old lady in the bed had called it a night.

We managed to stumble home and flop onto the bed, where as luck would have it that cinematic masterpiece Gigli was on. Imagine our delight! Fortunately it was dubbed into Italian, and thus it made much more sense.

And now, for no particular reason, a few more photos:

You haven't lived until you've taken a Sicilian spinning class.

You haven’t lived until you’ve taken a Sicilian spinning class.

The happy couple.

The happy couple.

Our little piazza in Forza.

Our little piazza in Forza.

A dude fishing.

A dude fishing.

The Speakeasy Restaurant Revealed – plus, extra speakeasies!

Little peephole in the door, is there one great New York speakeasy…or more?

The trouble with chronicling experiences is that first you have to experience them and then you have to chronicle them, and all that experiencing takes time and energy. As a result, the chronicles have become backlogged like planes stacked up at Kennedy. We are now happily ensconced in a secluded cabin that I found on Craigslist for $75 a night nestled next to Seneca Lake in the Finger Lakes region of New York. The lake jiggles outside my window, there’s a fire in the fireplace, there’s a glass of perky, snappy Finger Lakes Riesling close by, and I will now attempt to land some planes.

Our sweet little cabin next to Seneca Lake.

Our sweet little cabin next to Seneca Lake.

Where to begin?

Let’s start with speakeasies.

As you may remember, a few weeks ago I sent a begging note to the highly exclusive restaurant in the East Village that doesn’t post its phone number or address, and for whom a reservation is only available by invitation. I was able to score an invitation by rolling over like a submissive puppy and begging the nice people to take us in. I will now reveal the restaurant in question – it’s called the Bohemian.

Janine and I were joined by our daughter Maggie, now a seasoned college student of five weeks. Bless her sweet little heart, our child is among the world’s most adventurous eaters. The Bohemian is, of all things, a Japanese speakeasy. You enter through an unmarked door that takes you down a hallway that leads to another door at which point you ring a bell, offer your name, and gain admittance.

The outside of our latter-day speakeasy.

The outside of our latter-day speakeasy.

Inside is a restaurant of seven or eight low slung mid-century modern tables and chairs that resembles not so much a restaurant but the living room set of the Dick Van Dyke show.

You half expect Rob Petry to trip over a couch.

You half expect Rob Petry to trip over a couch.

The Bohemian offers a tasting menu that qualifies as a deep bargain in New York. For $55, you get at least five courses (a few might have escaped my memory) of clever, delicious food made from pristine ingredients. We had rice croquettes topped with the smoothest, sweetest uni I’ve ever tasted. There was a glorious wagyu sashimi, a roasted branzino served on a bed of fall vegetables, a choice of a wagyu slider or a sashimi donburi, and a yuzu panna cotta for dessert. Sane people would have been content with that, but we gilded the lily by adding mac and cheese and foie gras soba from the ala carte menu. I have to say the foie gras soba made me weep.

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Now for the big admission. Any idiot who has rudimentary facility with this fantastic new search engine called Google could figure out the phone number and address of Bohemian. But I didn’t care. I enjoyed the game of it, and you will too.

Speakeasies became something of a theme for us during our visit.

Our friend (and shmabulous playright) Marty Casella recommended that we check out Dollhouse Speakeasy, an immersive theatre-ish experience that is put on in a real former speakeasy (so they say) on the Lower East Side.

Whereas Sleep No More is the immersive theatre experience with a pedigree and huge production values, Dollhouse Speakeasy has the scent of a handmade, roll-your-own enterprise. Think one of those murder mystery evenings that they put on at Kiwanis clubs and Elks lodges everywhere, except this one takes place in what appears to be an actual speakeasy in New York City (on most nights, it’s called The Back Room, and you should go). To get in, you whisper the password (“icepick”) to a cop in twenties dress who leads you down an alley through a half-sized door into a bar where cocktails are served in teacups. There’s a jazz band with a banjo, a bass, a clarinet, a drummer, and a lady singer. There’s a bit of burlesque, a bit of shouting, people get killed, actors emote, and you do a fair amount of drinking. You got something better to do than this?

This appears to be a labor of love, which is code for nobody gets paid. The performers come from hither and yon. The actor playing Dutch Schultz told me afterward that for the past four years he’s been driving down from New Hampshire, where he runs a radio station. One of the performers was a longtime fan pressed into service that night to play a character on trial for manslaughter. But no matter. It is all extremely good fun, and very speakeasy-ish, complete with wide pinstripes and chewy Bronx accents. Just go.

The third leg of the speakeasy stool was the one that turned us away. (Can one be turned away by a leg of a stool? Um, I guess so, because we were.) It’s called PDT (for Please Don’t Tell), and you gain access by passing through a phone booth located in a hot dog joint called Crif Dogs on St. Marks Place.

Our friend John in the portal to PDT in Crif Dog on St. Marks Place. Got all that?

Our friend John in the portal to PDT in Crif Dog on St. Marks Place. Got all that?

Sadly, we did not have a reservation and although our deeply charming friend John did his best to cajole the bar’s sour sentry, the magical door would not open. We were forced to decamp to our plan B, a cocktail emporium called Death & Co., which served $14 elixirs that made you forget the price, and everything else. I think I had a rye and smoked geranium highball, or was it a bourbon with nutmeg extract and an edelweiss garnish in a tulip glass? Who cares? We made it past the doorman and into our cozy little booth, and all was right with the world.

Finally, a bit about the un-speakeasy, the Gramercy Tavern. This restaurant is run by one of New York’s great restauranteurs, Danny Meyer.

You don’t need to call first to dine in the front room, and we waltzed in last Tuesday night without a reservation, or an invitation, or the secret password, and we were led to a lovely table in the middle of a bustling room and served a crazy good meal with the kind of service that any place in the city would be lucky to pull off. Return from the restroom and your napkin has been lovingly refolded and placed in front of you. You will never suffer from dehydration, or for that matter, hunger. The waiter was more than happy to synchronize Janine’s ala carte selections with my journey through the tasting menu. I had mentioned in passing to the hostess that we were celebrating our anniversary and that we had been to the Gramercy on our honeymoon 24 years before, and sure enough, an anniversary dessert shows up on our table to cap a lovely meal. There was also my now-favorite cocktail – a gin and IPA concoction which solved the very real problem of whether to have a beer or a martini. We also had roasted fish, seared duck breast, a shaved zucchini salad, and other stuff I can’t remember, but I remember it was good.

A classy touch from the un-speakeasy, the Gramercy Tavern.

A classy touch from the un-speakeasy, the Gramercy Tavern.

I suspect the hipsters are repelled by such earnest good manners and loving service, but Danny Meyer will get no complaint from me for making sure that kindness prevails in his hospitality empire. Even the service at Shake Shack, his fast food burger joint, is good.

Don’t make me pick which moment I loved the most, although on my deathbed, as I slip into the next world, the words “foie gras soba” may issue from my dying lips. Unless it’s “icepick”.

Praise the lord and pass the statins – our pilgrimage to the mecca of meat, Peter Luger.

Oh, I sing a song of meat.

Not just any meat, mind you, but the meat of the gods. Peter Luger meat.

If you are a vegetarian, or heaven forbid a vegan, I beg you to turn away. This will not be pretty, and I don’t want you to hate me. Come back some other day, when I write an essay about the glories of carrots or yeast, or somesuch. I have deep respect for your excellent choices, but as my beloved former boss Paul Brest used to say, if god had meant us to be vegetarians, he wouldn’t have made animals out of meat.

I can’t tell you how many times I have made my way across the Williamsburg Bridge and been tantalized by the glimpse of what may be the world’s greatest steakhouse, Peter Luger. There it sat, lurking beneath the bridge, beckoning to the hungry, the gluttonous, or to the seekers of meaty self-actualization. Someday, I would often think, I’ll have a Peter Luger steak. And yet nearly a half century went by and I failed to keep my promise.

Why didn’t I just go, you may ask? There were any number of reasons. For many years I would have had to sell my baseball card collection and a few quarts of blood just to make it past the shrimp cocktail. And for heaven’s sake, it was in BROOKLYN, and in Williamsburg, no less. But times have changed in oh so many ways. I’m all grown up with gainful employment (sort of) and Williamsburg is the BOMB. And if you have been following my recent journey, you will know that I am finding any opportunity I can to go back and either perfect the past or fine tune the future. I recommend it, by the way. When we decided to spend part of our trip in New York, I swore to myself that we would at long last make it to Peter Luger.

What’s so special about this place? Certainly not the décor. It’s a room. It has wood floors, it’s nice, it’s old, but if they didn’t make steaks that made you want to weep, you wouldn’t think twice. The waiters wear long aprons, which bring to mind a Bemelmans sketch, so that’s nice, but still.

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Nothing fancy. A little too bright, a little plain, but just right.

No, what’s special is the meat. They buy these fancy, shmancy USDA Prime cuts of beef and then hang them in some special room for a month until they get good and funky and covered in mold (good mold, they say). They say that this concentrates the flavors. Then they hack off the mold (I assume) and cut up the hunks of beef into steaks on the day they’re going to serve them. The cut of choice at Peter Luger is the porterhouse, or what you and I know as the t-bone. The t-bone has a piece of filet mignon on one side of the bone and the strip steak on the other. Then they take your t-bone and throw it in an 800 degree broiler that creates a crust that you could stand on, but which leaves the inside a very comfortable medium rare. Don’t be afraid. The steak looks really rare, but with all that aging and tenderizing and whatever else they do to it, you won’t die. On the other hand, if you were to order your steak well done I suspect that the rotting corpse of Herr Luger himself would rise up out of the floor and strangle you with his moldy hands, and good for him I say.

So they take this crazy good meat and blast it with a krillion degrees of heat and then they start improving on it. When it comes out of the oven, they slice for you, which coaxes the juices onto the platter, at which time they drown the whole operation in a stick of butter, which somehow never undermines the structural integrity of that magical crust. The salty, fatty, buttery sauce seems to wick its way back into the steak through some kind of magical capillary action. The filet mignon becomes the foie gras of meat – livery and tender and spectacular. When I took my first bite I groaned. The strip is marbled and fatty and ridiculous.

Quite simply, the world's greatest steak.

Quite simply, the world’s greatest steak.

By this point, every cardiologist in the tri-state region orders a new Mercedes. They serve your steak with a boat of Luger’s famous steak sauce and a defibrillator. For dessert, you can order the carrot cake or a bowl of Lipitor.

I might add that the sleeper of the evening was the creamed spinach. Mercifully, they seemed to go easy on the cream, but somehow found a way to make the spinach even spinachier. I think they put spinach on the menu at steakhouses as a joke, but Lugar’s doesn’t mess around. If they’re going to serve spinach it will be the best damn steakhouse spinach of the plant. We order the mysterious bottle of private label Peter Luger Napa Cab that was, as everything else was, right on the money.

And how do I describe the steak? It’s easy. It was the best damn piece of meat I’ve ever eaten. I went back and read some reviews and some of the jaded restaurant critics crapped and moaned about indifferent service or the fact that they don’t take credit cards (although they take debit cards and who doesn’t have one of those?) or their location or some other cranky pants minor infraction. But my good god people, this is one of those instances in which somebody has perfected a task that requires time, money, and skill, and for that I am eternally grateful.

The happy couple, right before the paramedics came.

The happy couple, right before the paramedics came.

And for the record our waiter Ivan was funny and sassy and we wanted to take him home with us. Like our friend Larry from Russ and Daughters, he knew that what he was feeding us was poetry and he was damn proud of it.

On the other hand, there are any number of fussy, expensive, self-important places that send the gastronorati into a frothy frenzy but which then close before we can remember what we ate. Don’t get me wrong, I like hipster food as much as the next guy, but if you gave me twelve hours to live and made me pick a last meal, it might just be a Luger steak, the mystery cab, and that crazy spinach.